...The editors of (i)Life(i) rejected Ker̩sz'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning Рa different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks. Roland Barthes
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More Quotes By Roland Barthes
  1. You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a curtain parts and what...

  2. To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought...?

  3. (Love’s atopia, characteristic which causes it to escape all dissertations, would be that *ultimately* it is possible to talk about love only *according to a strict allocutive determination*; whether philosophical, gnomic, lyric, or novelistic, there is always, in the discourse upon love, a person whom...

  4. …This singular reversal may perhaps proceed from the fact that for us the “subject” (since Christianity) is the one who suffers: where there is a wound, there is a subject: die Wunde! die Wunde! says Parsifal, thereby becoming “himself”; and the deeper the wound, at...

  5. Gossip reduces the other to he/she, and this reduction is intolerable to me. For me the other is neither he nor she; the other has only a name of his own, or her own name. The third-person pronoun is a wicked pronoun: it is the...

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